March of the Penguins
八月 22, 2017
I have March of the Penguins this time. It is a
feature length nature documentary in 2005, directed and co-written by Luc
Jacquet, and co-produced by Bonne Pioche and the National Geographic Society.
This documentary recorded the yearly journal of emperor penguins – they leave
ocean and walk inland. The penguins participate in courtship and hatch a chick.
For the chick survive, both parents have their own efforts.
What is documentary? Audiences think
documentary is filmed events are not staged, and providing an authentic look.
People also think that documentary is non-fiction films; they depict not
imaginary but real events because fiction films provide imaginative impressions
while documentary is very truthful. Documentary filmmakers are assumed to
observe the events and make objective record of the events. It is actually a
nonfictional motion picture intended to shape events, for purpose of education
or maintaining a historical record. We look at documentaries via the techniques
selected by filmmakers when they shape the events. Documentaries represent in
six modes – poetic (way of representing reality via series of fragmented
visuals and subjective impressions, incoherent acts and loose associations),
expository (disembodied and authoritative voiceover that is combine with
imageries, aimed at being descriptive and informative), observational (no
apparent intervention by filmmaker, no intertitles and no interviews, no
voiceover), interactive (filmmaker’s presence known to audience by ways of
filmmaker interacting with filmed interviewees), reflexive (exposes the
techniques employed for representation, revealing the truth) and performative
(direct reference to issue at hand is marginalized while poetic and expressive
aspects of film are emphasized).
The emperor
penguins move to a particular spot as breeding ground because it is on solid
ice and no danger of ice too soft to support existence of colony. By the end of
winter, the breeding ground is a great distance away from the nearest open
water; they must traverse the distance in breeding age. The female lays an egg;
the parents have to co-operate to make sure the chick survive. After egg lay,
female transfers egg to the feet of male with minimal of exposure. Then the
female returns to sea to feed herself and obtain food for chick when return
after two months. In this period, the males will huddle together for warmth.
Their only source of water is snow. When the chicks hatch, males have only
small meal to feed. If females don’t return, they must abandon their chick.
After two months, the females come back and feed the young while males go back
to sea. Many parents die on trip, killed by exhaustion or by predators. The
parents must tend to chick for four months, shuttling back and forth to sea to
provide food for young. The trips get easier as spring progresses as the ice
melt (distance to sea decreases), until the parents can leave chicks to survive
themselves.
First of all,
March of the Penguins is a film event that is not staged, obviously and is non
fiction film. The mise-en-scene is particularly put together like fiction
films. Production team cannot control the movement of the emperor of penguins,
they capture down all the process. The documentary assessment is based on
objectivity which is to record the yearly journal of the penguins – their
breeding habits and how the parents co-operate to protect the egg and make sure
the chick survive, avoid starving in the winter.
There are 6
modes of representation – expository, poetic, observational, interactive,
reflexive and performative. Unlike poetic mode, expository mode addresses the
viewer directly and use of titles and voice over to add a perspective to what is
shown in film. Voice of god commentary sought to disclose information about the
historical world itself and to see that world fresh. Overall effect of this mode
is objectivity, a direct and transparent representation. It is more Romanise,
for example, the southern lights dance in the night; the penguins practice
their dance before shifting their eggs, and also, the penguin parents sing to
their chick.
The poetic mode
is particularly adept at opening up the possibility of alternative forms of
knowledge to the straightforward transfer of information, the prosecution of a
particular argument. Films of this mode break up time and space into multiple perspectives,
denying coherence and accepting the unconscious. This mode represent in the
scene of the male penguins fighting when they fight for the female for having
their next generation.
Observational is
objective reality with filmmaker as neutral observer, it limited the filmmaker
to present moment and required a disciplined detachment from the events. Films of
this mode observe and record as the events unfold in real time, resulting in
long takes and sound is recorded directly, establishing an intimate
relationship with and a sense of the environment without manipulating and
distorting event. Overall effect is a neutral and non-judgemental appeal. Filmmaker
film the entire event without interruption, just let the camera fixed. The sound
is direct sound and the light is available light.
Interactive allow
the filmmaker’s presence to be felt by the audience via interview, posing
question on screen as mediator for interviewees and audience. Overall effect of
this mode exposes the process by which the documentary is made. Objectivity is
very much restrained. It allows the filmmaker to participate more actively in
present events. Well, March of the Penguins is a observational documentary, so
this mode is not including in the film.
Reflexive focuses
on film properties and filmmaking process, reminding and informing audience,
besides the represented issue, that they are also watching a film that is
attempting to represent reality. Overall effect is lack of objectivity which
does not necessarily compromise the impact of documentary. Like the whole film,
it focuses on the breeding of penguins, the filmmakers informing audience and
presenting them a reality.
The last mode is
performative, it evoke mood found in fiction films, representing of subject
matter stylistically, evocative and expressively. Overall effect of this mode
is lack of objectivity, aimed at encouraging audience to experience and feel
the events. March of the Penguins is giving “education” to audience, so this
mode is not included too.
This is all the
modes we have. While in the March of the Penguins, it is not obtain all the
modes. Although it is a documentary, but I really feel I am enjoying the film. It
is interesting to see cuteness overload penguins.





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